News & Press

“This a bold, atonal work perfectly suited to the shifting emotional mindscape of our age…It works very well.  It’s a true gesamtkunstwerk.”

“In this album, you will hear the diversity of the composer’s inspiration amid its intense, physical element. The first track, appropriately named “…increasingly, physical…”, establishes tension with consistent building and release, creating captivating drama that draws the listener in immediately. The […]

(about “…vikings, unless…”) “…The work is altogether thoroughly engaging, and Anderson’s intimation — without explicit articulation — of such sophisticated narrative elements with such limited musical materials is commendable…”

(about Piece for Clarinet and Tape) “…beeps and blips of the tape…perfectly capture the zeitgeist of the nascent computer era, with all of its possibility, mystery and vague sense of anxiety. The tape also has a fascinating way of constructing a […]

“Writing solo pieces can be a challenge with instruments that have limited ability to explore, or suggest, harmonic regions.  Yet Anderson is canny when faced with such apparent obstacles.  He employs various techniques specific to each instrument in shaping compelling […]

“Listeners who enjoy modern solo-instrument music as a genre will be intrigued by the offerings on a Ravello CD featuring works by Douglas Anderson.”

“Anderson expertly conducted both works, and the orchestra performed flawlessly throughout the evening.” Images of Her, the world premieres of Through/In by Douglas Anderson, and of Simonetta, by Larry Lipkis

”…Beautiful! Rich and full bodied—a fine wine…Powerful production. Electrifying….SUBLIME…Musicianship is top notch all around…Love it!! Gave me chills.”

Beautiful, excellent, superb…Brilliant!…Fabulous…Absolutely outstanding – just marvelous…Amazing performance…Spectacular! Great!…This was Fantastic…Messiah performed with the most heart I’ve ever seen/heard.  Loved the flow – I was swept away, transported…

“a delightful evening…The orchestra responded well to the baton of Dr. Anderson…[The Moldau] was handled quite well with spontaneity and spark. Anderson was able to extract the right color and voice from the music…” Re: Orchestral concert (music by Rossini, […]

“Dr. Anderson completed the picture by skillfully conducting the orchestra through the intricate score.”

“a terrific show, wholeheartedly supported by conductor Douglas Anderson and his vibrant pit band.” Re: Martín’s Beast and Superbeast (world premiere)